Our weekly podcast includes in-depth analysis of the music we find extraordinary, exciting, and just plain terrible. This week, Editor-in-Chief Puja Patel, Reviews Director Jeremy D. Larson, and Associate Editor Cat Zhang discuss some of the trends, scandals, gossip, technological moves, and industry changes that shaped the musical landscape of 2023. They chat about the rampant influence of musical theater, the return of the dancer pop star, the recontextualization of the guitar, the rise of A.I. and the fall of the 1975’s Matthew Healy, and much, much more. Plus, stay tuned until the end, when Alvvays’ Molly Rankin talks to us about the one song she wishes she wrote.
Listen to this week’s episode and read an excerpt from it below. Follow The Pitchfork Review here.
Jeremy D. Larson: Cat, you brought this idea called the Rise of the Musical Theater Girl. What is that?
Cat Zhang: Okay, there are a lot of big pop girls now who have musical theater backgrounds, or have that aura of theatricality to them. So we have Reneé Rapp, who is a Broadway star and in Mean Girls the musical, the movie. And then we have Olivia Rodrigo, who was in High School Musical: The Musical: The Series. And then we have Chappell Roan, who I think did musical theater growing up in school and has a cabaret aspect to her performance, both in her dress and then her singing style. And then we also have Caroline Polachek, who does have this sort of musical theater affect. A lot of it comes through in the vocalizations, just a willingness to push vocals over the top, to be a little catty, to be dramatic. And so, given that musical theater is historically perhaps disdained…
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